Sad Angel - Gothic Angel - Dark Angel
In the Boughs of these Trees, in the Lights of this Forest - with the Twists of a Vine, and the Guise of an Angel:
I like the fact that this Angel, is entwined with both mystery, and the darker side of Fantasy. The mystery comes from this Angel's attire ... Her feathered wings make me think, of the caring nature, of a Guardian Angel. Yet, that draping cloth (at the middle/back of her wings), makes me think of both a Battle Angel (the cloth's symbol, which reminds me of a Medieval Battle Standard), and of an Angel, that has Lost her Wings (possibly having, removed them herself!). There's also further evidence, of the latter of these - as it's as though this Angel's Wings, are both chained and weighted down: how could she possibly fly, with those large banded/attached jewels, on the apex of each wing? The darker side of Fantasy, comes from this Angel's interaction, with the background ... As I feel that these Woods, are not a friendly place! This feeling comes from, the creeping fingers of the Trees branches (which are jagged around their edges) - whereby if I look too long, start to send a shiver down my spine! Which in-turn, is further refined, by the darkness of this Angel's face - both the Glyphs, and her Tears of Black. Yet here, does the darkness play right back into mystery - as it's hard to say, exactly why, this Angel is so sorrowful ... There's no immediate clues, and it was only with a careful eye, that I first noticed - those falling feathers (bottom-left, under her wings). Thus, did I start to think, of the concept of a Fallen Angel. But, whether this Fallen Angel is her, or a companion Angel (possibly her lover), I cannot say for sure. And it is in attempting to answer this question, that I feel that Steve - fuels the mystery of his artwork ... It's a mystery, whose rising heat, is also further fuelled - through Steve's choice of background: as it's a background, that I would not expect, a Guardian Angel, to be found within. But it is a background, that I would expect, an Angel of the Damned, to be found within. And yet here, do I find a twist - for this background's white, seems as though, it's a Guiding Light. Yet given the fact, that this Angel, is in-front of this light - does she not in-fact, bar your way? And in doing so, would that not meet, the definition - of a Guardian Angel? If that were so, then I feel that this Angel's Wings, have been shaped to be - as if they are a Shield. For they guard against the creeping fingers of the Woods: the outermost topmost curve of her wings, reflect the shape of the white light's halo (especially towards the canopy of the trees). Thus, do I feel that this Angel, wants some time away from the World - and in doing so, perhaps she chose a place, where she would be least likely, to be disturbed? But then again, do I find that this Angel, is also in the Realms of Fairy Glamour ... For perhaps this Secluded Cove, that she chose - is the inner Kingdoms, of a Broken Heart? Which would indeed, explain the presence of a Garden Swing - as her sorrow varies, with the ride each Day, from Day to Night! What of Steve's choice of artist techniques? Well ... I think it's most important, that we consider - his use of lighting. I speak of the light, that's on both the Angel's Dress, and the Angel's Wings/Feathers. Now, I feel that this light, does not come from the background: for the angle of the light, especially upon the Angel's Dress - makes me think of a Spotlight! And if that were so, does this Spotlight, play right back into, this Broken Heart theme - where this Angel's sorrow, far outweighs the common sense, of everything else! But here, do I find that Steve's decision, to include a large Silver Runic Glyph (top left) - helps point the way back ... For it's Sharp like a Sword. It knows what it Wants - to bring both Clarity, and Balance to the Scene. Whilst it's Central Pattern - reminds of me of that Battle Standard :) Which in turn, gives Seed to a new Idea: Grow up (her reaching right arm), and Move on (the Guiding Light). Overall: A Gothic Angel, whose Fairy Glamour, becomes entwined - with the Paths of the Heart. A Dark Angel, who Fell from somewhere High, but with a Riddle of Thought - Rises straight, for a New Chapter. For she's a Sad Angel, who Sits on the Swing of Romance - in the Hearts of the Wood.
14/07/2016 | Victorian Hawk | Web: Sad Angel | About Angels
Chinese Dragon - Golden Dragon - Yellow Dragon
In Dragon Steed, came Fairy Glamour - with Twist of Tale, and Runic Glyph. Donned in Yellow, donned in Tribal - came Princess Royal, and Dragon Emperor:
I like the fact that this Dragon, is full of Mystery - yet still speaks Imperial. The Mystery comes from the Glamour that exists - between this Dragon, and his Rider. The Imperial comes from the Majesty of this Dragon - which at first appears to contradict, the Tribal of the Princess. And it is here, that Steve fuels the engagement of his artwork, as I find myself wondering at the connection - between this Dragon, and his Tribal Princess. For me, it is a connection, that I find is swathed in Fairy Glamour - and is best explained, through the consideration of three points. First: there's no doubt, that this is a Chinese Dragon ... For this Dragon's head, bears two whiskers and a beard - as you would expect, of a Wizened Chinaman. This Chinese stance, is also reflected by the position of the Dragon's head (dominating the centre of the artwork), and the predominant yellow of the Dragon - as both are associated with Chinese Yin and Yang (meaning the centre of everything). Added to this, is the weight of the Dragon's highlights and tones, which both tend towards Gold - as in Ancient China, was it only the Emperor that was allowed to wear such Golden Attire (as in Dragon Symbols made of Golden thread). Second: there's no doubt, that this is a Tribal Princess ... She is adorned with Runes (especially upon her face), that suggest to me, that she is a part of a Ruling Dynasty. Added to this, is the fact that her left-arm/shoulder is covered in Tattoos - and we start to feel, that she's some kind of Warrior. This believe is in-turn, refined by the Robes of the Regal (her Purple Gowns), which makes me feel that she's some kind of Warrior Princess - who perhaps has Magical Powers, owing to the stance of her arms. But here do I find a contradiction with/to the Dragon. For this Princess does not in-fact, speak to me at all, of a Traditional Chinese Lady - especially in terms of her appearance! Third: when the Dragon and the Princess are taken together - there's no doubt, that were in the Realms of Fairy Glamour ... For if we follow the Curves of the Princess's hair (the highlight browns), then we see that the top-right of the Dragon, also has similar Braids of hair (albeit on a larger scale) - which I feel, are akin to the Grounding Roots of this Dragon and his Kin. If we then follow the Runes of the Princess's Tattoos, then we see that the Dragon, is also adorned in Runic Glyphs - which I feel, are akin to the Binding Bounds of this Dragon and his Kin (the Dragon's Runes goes far beyond, the simple edges of his Metallic Armour). If we then follow the Curves of this Dragon's yellow, then we find the Divine of this Princess's form - which with the Braids of this Dragon's hair (middle right), and the Patchwork of her Regal Dress (especially on her legs), spoke to me of the Spirit of this Dragon: a Golden Yellow Chinese Dragon, that knows his place, within the Roots of this Earth! For this Dragon and his Dragon's Spirit (the Princess) - spoke to me of a Chinese Element called Wu Xing (Earth), and the Wards of his Emperor :) If that were so, then I feel that Steve has used a powerful Artist's Technique - to convey the Mystery of the Imperial ... The stronger foreground tones, of the Dragon's head and Princess - both capture the Authority, and the Clarity of an Emperor. Where as the lighter background tones (towards the left of the artwork), help capture the Mysteries of an Elemental Dragon - whose Winding Tail, fades in Clarity, towards the Centre of the Earth, just as a Root would do :) Overall: an amazing Chinese Dragon, that still owes his Lineage - to the Ancestral Eastern Dragon. This Chinese Dragon, has an Eastern Dragon's body (long and serpentine), an Eastern Dragon's intelligence (knowing eyes, beard and whiskers) and an Eastern Dragon's association with one of the Five Elements (Wu Xing - Earth). In Slender Vines, with Paths of Rune - came Chinese Dragon, Emperor's Wrath!
16/06/2016 | Victorian Hawk | Web: Dragon Art | About Chinese Dragons
Angel Fire - Element Angel - Steve Argyle
Fires of this Heaven, and Fairies of the Goddess, what is it that you Halo, when this Angel - flew upon this Scene?
To the Heat of this Day, in the Rise of the Solar - with the tail of a Feather, sung Angel Fire. To the Cool of this Night, in the Curves of the Lunar - with the flick of a Flame, danced Element Angel. To the Forge of this Land, in the Feats of the Warrior - with the touch of a Smith, scribed Element Fire. I like the fact that this artwork, is something of a contradiction ... When I first look at this Angel, do I think of the Whites of the Cloud (as in her Armour), and the Rivers of the Mountain (as in her Flowing Hair). And yet, when I look at this Angel's Wings, and this Angel's Sword - do I find myself thinking, of the Foundries of the Earth, and the Rivers of the Lava. As such, it can be seen that there's a deliberate contrast in themes, that exists within this artwork. Why has Steve done this? Well ... It is a simple reason, that is better explained - through the observance of further contrast ... I think of an Angel of Good. I think of the Flight of the Phoenix. I think of an Angel so Right. I think of the Depths of the Lava. I think of an Artist's Colour Wheel/Palette in Oppose. I think of an Area that's so often called Grey. I speak of course, of an Artist and his Riddle! Which in this case, do I find to be: is this Angel aligned with the Dark? (aka is she of the Evil?), or is she aligned with the Light? (aka is she of the Good?). For me, it's hard to say! She may be of the Light, but that darker area around her Eyes, casts some doubt on this. She may be of the Pure/Righteous, but that darker area at the start of her Wings (either side of her head), casts some doubt on this. She may be of the Loyal, but that darker area on the background's right hand side, casts some doubt on this. Indeed, do I find that this Riddle - becomes a perplexing one! And it is the pondering of this Riddle, that helps fuel your Engagement to this Angel :) In doing so, does Steve bring clarity to his artwork - through the use of three specific techniques. First: is his use of detail. Within the Realms of Art, is it common for detail, just to be hinted at - by the suggestion of a shape, and/or a lighter/darker tone of shading. Yet here, do I find an exception, for this Angel's Armour, becomes involved in the intricacies - there is a uniform pattern, that follows the curves of this Angel's body (a challenge in itself!). Second: is Steve's use of scale. This is most detectable, upon the Fires on the bottom right, and upon the extremes of this Angel's Wings. For as we head towards the extreme/outer edges of this artwork, do such details become larger - but without sacrificing clarity. I feel that this has been done, to bring balance to the artwork. If everything was on the same scale, then it would be easy to overwhelm the Angel. Third: is this Angel's dynamic pose. It's as though this Angel has just flown up, to block your way! The stance of her Shield, angle of her Sword, and bend in her foremost leg (at the knee) - both suggest, and further refine this idea :) Which in-turn, adds depth to this Artist's Riddle - as we start to wonder, could we be dealing with a Guardian Angel here? Overall: A stunning piece of artwork, that speaks both of Angel, and of Fairy! The Angel is the Guardian. The Fairy is the Glamour. The Angel is the Fire. The Fairy is the Riddle. And as such, I love the fact that this Angel - is entwined with both Heaven and Earth. She can fly as high as the Clouds, reminiscent of Rain. She can burn as bright as the Sun, reminiscent of Lunar. To this Angel's Heart, with Phoenix Wing, a Guardian's Halo - this Angel and her Fire!
02/06/2016 | Victorian Hawk | Web: Angel Art
Drago Rosso - Eastern Western Dragon - Stefano Artibani
Here do I find a Dragon, that's just as entwined with Fairy Glamour - as is a Fairy and her Queen:
There's no doubt that this is a Western Dragon ... This Dragon is covered in Scales, whose red makes me think of the Fires of the Forge. This Dragon is covered in Barbs, whose path makes me think of the Armies of Old. This Dragon is covered in Ridges, whose gleam makes me think of the Ambitious of King. And yet, do I find that this Dragon - has just bathed in the Realms of Fairy Glamour :) For there's no doubt, that this is an Eastern Dragon ... This Dragon is contrasted in Scales, whose blue makes me think of the Cools of the Sea. This Dragon is contrasted in Barbs, whose stance makes me think of the Sirens of the Ocean. This Dragon is contrasted in Ridges, whose rise makes me think of the Lapping of the Tide. Why has Stefano done this? To pull you into his Fantasy Realm, and bring depth to his Artwork. The pull, comes from the shape of this Dragon: a backward C (donned with Barbs), that helps snake you in - to both this Dragon's head, and his Dragon's body. The depth, comes from the height of the Barbs: being taller in the top middle, rotated towards you - I feel as though this Dragon, wants out of the Artwork! Indeed, does Stefano's choice of background, play right into this effect. As with clever use of lighting, upon the cliffs on the top left, contrasted with the darkness/shadows of the cliffs lower right - does it feel as though this Dragon, has just crept around a corner. If that were so, then it's easy to see that this Dragon, has the subtleties of an Eastern - as it's forked tongue, has just been used, with the Patience of the Wise, to snare it's prey! What of Stefano's choice of colour? Given the fact that this Dragon is in the shade, Stefano has had to be careful - to avoid losing the shape of his Dragon. I feel that this has been achieved, in two specific ways. First: the choice to use predominant red scales, with contrasting blue (curving along the Dragon's back). Second: the choice to highlight both red and blue scales, upon their upper most edge - thereby bringing clarity to the dark (especially around the Dragon's eye sockets, and the top right body/neck curve). Overall: an unusual Dragon, that's reminiscent of Lizard - but with traits both Eastern and Western, that goes hand-in-hand with Fairy Glamour :) As you would expect of the Realms of the Faeries, this Dragon has one further twist - the fact that he has no Western Dragon wings! Even so, this does not diminish from the Dragon's powers - as I feel that he can fly, high upon the Magic Winds, of Dragon Rise, in Dragon Land ...
24/05/2016 | Victorian Hawk | Web: Drago Rosso | About Dragon Land
Evanescent - The Butterfly in Fairy - Rachel Anderson
Ammonites of these Clouds, and Eyes of the Flutterer, what is it that you Feel, when this Fairy - sat upon this Peak?
To the Heavens of this Day, in the Wisps of the Vapours - with the twists of a Tail, posed Evanescent. To the Climb of this Rhyme, in the Thoughts of a Dragon's - with the souls of the Wise, mused Evanescent. To the Rocks of this Realm, in the Seas of the Angels - with the whispers of a Queen, dark Evanescent. In the Spiral of his Thoughts, with the hidden of a Riddle - two Flutters of Mind, Evanescent and Reign. I am impressed with the fact, that Rachel has chosen at least, two themes for this artwork - and that each theme, is in balance with the other. I feel that the first theme, is that of Guardianship. For I detect, three sets of Eyes looking at me - the Fairy's (indirectly), the Dragon's (directly), and in true Fairy Glamour, those large Eyes at the top of the Butterfly wings! Of these, it seems as though the Butterfly's are the most dominant - as I feel as though, they are winking at me :) In doing so, do these Butterfly's Eyes - bring balance to the upper half of the image, as their bounding darkness (aka black), offsets the lighter tones of the clouds, that rise throughout the image. And in doing so, does Rachel achieve an important effect - she brings height to her Fairy :) I feel that the second theme, is that of a Quest to Climb. This Dragon's Tail, wraps around this Fairy's legs - which both spirals me up, and into the centre of the artwork. Yet that is not all, for does the shape of the Mountain, and the angle of this Fairy's legs (and her dress) - both work together, pulling me upwards, and into the centre of the artwork. Why has Rachel done this? To ensure that this Fairy, is the focal point of your eyes :) Indeed, is this a powerful effect to achieve, whilst maintaining balance within the artwork - because of this Fairy's, darker skin tone. Rachel has added balance, to allow you to focus on the Fairy, by darkening the shades of the Mountain. The Mountain itself, plays right into - this Dragon's Riddle. What possible reason could there be, for the Mountain to be covered in Ammonites? It seems to me, that this Dragon's Tail, reflects the Curves of the Ammonites - as does the Dragon's colour. It also seems to me, that this Dragon's Wings are the same as Fairy's Wings - with similar shades and patterns (albeit on a different scale). Thus is there a connection, between the Ammonites and the Dragon, and between the Dragon and the Fairy. That connection is the Mountain. It's the Roots of the Fairy, and the Roots of the Dragon. It shows their Ancestral past. It shows their Celestial future. What of Rachel's choice of colour? Except for the browns of the Fairy, and the whites of the Dragon, I detect two shades of a primary colour - that of Purple. The darker Purple, is found upon this Fairy's dress, which together with the whispers, found upon her Fairy Wings - speak to me of Royalty. Perhaps she is a Fairy Queen? Whether a Queen of Elements, or a Queen of Butterflies - I cannot say ... Perhaps both? On the other hand, does the lighter Purple, the Lavender - speak to me of both the delicate, and the refinement of this Fairy and her Dragon. This Fairy Queen, may very well sit upon the Mountain Top - but in Gusts of Wind, has she fought her way, to be at the Apex of both her, and her Dragon's Power. Overall: An unusual scene of Fairyland, that shows more connections - between Dragon's and their Fairies. I love the fact that Rachel has chosen to represent, a different Fairy to what we might expect to encounter, at the tip of a Mountain, and at the base of the Clouds. As this Fairy Roots on Mountain, the Foundation Power of Dragon Kin, brought her a Scene - Evanescent plus Eye.
04/05/2016 | Victorian Hawk | Web: US | About Fairyland