Within the armies of the Space Marines, it is seen as a Great Honour for the body of a shattered Space Marine to be interned within the armoured hide of a Dreadnought. Yet, within the armies of the Chaos Space Marines, it is seen as a Great Damnation for the mind of a former Space Marine - an armoured sarcophagus from which there is no escape for their Tormented Soul. Where as a Space Marine Dreadnought can live for several thousand years, it is nothing compared to the lifespan of a Chaos Dreadnought:
Within the Warp, Chaos Dreadnoughts were changed, and it is now known that many of them have lived for well over ten thousand years. Whilst long lived - these changes came at a price: as most of their minds have turned to insanity - often attacking their own troops (in the heat of battle). Indeed, this is one of those 40K rules that has often caused me pause-for-thought: for I would love to wield an army of Chaos Dreadnoughts (within my Iron Warriors) - but would I really want the potential for that many uncontrollable Dreadnoughts on the battlefield? I'm tempted to say yes, as it would make for an entertaining game - especially for my opponents, who may be creased up in hysterics (e.g. as my Fire Frenzied Dreadnoughts shot at my Chaos Lord). This model is important to me - as it's the first Chaos Dreadnought that I ever painted. Being an older model, I decided that it was time for a repaint, and believed that it was the ideal test bed for my new Iron Warriors colour scheme: undercoat in Chaos black, base in Chaos black, dry brush in bolt-gun, then hit the raised armour edges. For these, it's undercoat in white, then burnished gold on-top. I shall now share a secret ... Burnished gold and I share a love-hate relationship. I love the finished effect of burnished gold, but I hate painting it on - it seems too runny, and I have to use (usually) three to four coats before I'm happy! It's then onto the Iron Warriors markings (the black and yellow bands). I prefer to paint these straight on - as opposed to drawing them out first. I have found that this approach works quite well - with some alterations being made (e.g.) if the spacing between the bands seems too different. I undercoat the yellow bands in white, applying several coats of sunburst yellow on-top. The black bands use a coat of Chaos black (to cover up the dry-brushed bolt-gun). The coat of Chaos black (at most two) helps to create an interesting effect - as the yellow bands then appear to be raised over the black bands. It's then onto the standard painting - such as the ribbed power chords/hoses (which I paint in Dark Angels green, with dry-brushed burnished gold over the top) and the skulls (which are ushabti bone with a runny tuskgor fur and gehenna's gold mix-wash applied to the top). It was then that I noticed something about my Dreadnought model - most of the burnished gold raised armour edges featured rivets on them. In the past I would have left these as burnished gold (but not this time) - I decided that a contrasting red was the order of the day! Thus, I made use of my handy cocktail stick (per rivet): two dabs of white, two dabs of ruby red, two dabs of magenta ink (allowing each dab to dry first). When it came to the weapons of my Dreadnought - I decided to choose a Plasma Cannon (for punching through armour) and a Power Claw (for powerful hand-to-hand). I decided to angle the Power Claw slightly - as the models pose seemed much more dynamic (like this). The Plasma Cannon was kept horizontal - as it doesn't make much sense for a line of sight weapon to be pointing at the floor. Overall: I enjoyed the challenges involved with painting this model - which, for the most part, came from the burnished gold raised armour edges. In painting these, I learned an important lesson - let the burnished gold dry first (otherwise you end up with paint on your fingers and have to repaint the armour edge). This was an issue that I feel was only attenuated, by the weight of the model (i.e. being made of lead - I needed a decent grip). It's also a model where I found myself painting new-unusual parts. For example, I would normally avoid painting a Space Marine Dreadnoughts feet - but decided that the addition of burnished gold (to the toes), actually helped my Chaos Dreadnought to look more balanced.
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